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The Apocalypse, Vogue Knitting Competition, and the impossibility of matching variegated colourways…

September 5, 2012

We made our target! In five days, no less. I sank to the depths of tweeting Nathan Fillion cos he’s in the promo video… Don’t know if it helped, but 16 new backers contributed over $800 afterwards. Cooperative Press did some promoting yesterday too, so I can’t really claim any credit.

I’m thinking of entering this Vogue competition. The garment thereby inspired is probably going to be my most expensive EVAR. And is kind of bizarre. But bizarre is very Vogue, so I think it’s worth a pop.

A lot of my designs are a bit bizarre and niche-y. NB you can’t see these yet, they’re all in prep or in the slushpile awaiting a publication opportunity. I can see they probably appeal to a small market, e.g., maths geeks, or they use techniques that might be a little scary for the average knitter.

I could produce something more mainstream, I suppose, but I find it hard to think of anything! The few mainstream ideas I do get, I usually dismiss as being too ‘ordinary’, not standing out from all the other designs out there. My thinking goes thuswise: Why would someone pick my bog-standard Aran jumper over the other 6,000 on Rav? Answer: make mine different – use plarn! see-through cables made of i-cord! I know – an Aran body! With pom-poms on the nipples! Yeah!

You see where this is going.

I blame Maggie Jackson. She warped my sense of what could be done with knitting, and I’ve been coming over all inappropriate since.

ION, my skein of Malabrigo Chunky in the Col China colourway arrived yesterday. It was the only skein of MC in the whole of the UK at the time – I know, I looked everywhere! On the Malabrigo w/s, it looks purple, green and brown, and reminds me of Cadbury’s chocolate*. The skein I’ve got, OTOH, is red and green, and looks more like Snow Bird or Melilla. This should not be construed as a criticism – I’d far rather have red/green than purple/green/brown – but it does make a point about your variegated colourways. Truly, you can never know what you’re getting. Even skeins in the same dyelot, in the same bag, can be utterly different.

Mmmm, soft…

Must go now. Malabrigo to pet!

* – Handy tip: in painting, or in wool, if you want to simulate the appearance of gold the metal, look at your lightish greens. They’ll generally work better than your yellows.

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